4,374 Royalty-Free Audio Tracks for "A Major Chords"

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant 9th chord from "Hommage a Rameau" by Claude Debussy.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

A12 tuning (12 steps to the perfect twelfth) on C.

Four-semitone tritone scale on C

Modes of limited transposition scale 7 first mode

Old MacDonald Had a Farm

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

F major scale played on western concert flute F-durskala spillet på tværfløjte

Ogg Vorbis sound file of C Major scale

V of V in C, on guitar.

Violoncello chord on G

Created using Sibelius.

Minor triad on C

C-F-B Synthetic chord

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

Tritone substitution. F♯7 may substitute for C7, and vice versa, because they both share E♮ and B♭/A♯ and due to voice leading considerations.

Tonic and dominant in C. C major and G major chords.

It's a Long Way to Tipperary

We Wish You A Merry Christmas

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

Major thirteenth on F

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

Simple and compound major third (major third and major tenth).

In dir ist Freude, Ev. Gsb. 398

The Virgin Mary Had A Baby Boy

Aeolian mode on A. No pitch bend.

Ausschnitte aus Schuberts Klaviersonate DV 784

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Borrowed chord (viio) in Mozart K. 576, II: Adagio, mm.13-16.

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Northern Lights chord. Created by Hyacinth (talk) 16:19, 2 October 2010 using Sibelius 5.

C6add9 chord.

Tritone substitution (for V) notated as Italian sixth.

Cello concerto no. 1 in a minor, op. 33 - ii. allegretto con moto.

It's a Long Way to Tipperary is a British music hall and marching song written by Jack Judge and Harry Williams (Henry James Williams), a song that, allegedly, was written for a 5 shilling bet in Stalybridge, on the 30 January 1912 and performed the next night at the local music hall. Jack's parents were Irish, and his grandparents came from Tipperary.[

Sound file of melodic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Beta scale major triad on C. MIDI pitch bend matches intervals.

Delta scale major triad on C

Gamma scale major triad on C.